Daily Rambam Accelerated · Sephardi & Mizrahi Heritage · On-Ramp

Mishneh Torah, Scroll of Esther and Hanukkah 3-4

On-RampSephardi & Mizrahi HeritageApril 12, 2026

Hook

"In the era of the Second Temple, the Greek kingdom issued decrees against the Jewish people... they entered the Sanctuary, wrought havoc within, and made the sacraments impure."

Context

  • Era: The Second Temple period, specifically the 2nd century BCE (165 BCE), a time of intense cultural friction between Hellenistic influence and the preservation of Torah life.
  • Community: The Hasmonean priestly family, whose military victory and subsequent rededication of the Temple (the Chanukat HaMizbe’ach) serve as the historical heartbeat of this law.
  • Locale: The Holy Temple in Jerusalem, the epicenter of the drama where the purity of the Menorah—and by extension, the purity of Jewish identity—was at stake.

Text Snapshot

"The Jews suffered great difficulties from them, for they oppressed them greatly until the God of our ancestors had mercy upon them... They could not find any pure oil in the Sanctuary, with the exception of a single cruse. It contained enough oil to burn for merely one day. They lit the arrangement of candles from it for eight days until they could crush olives and produce pure oil."

Minhag/Melody

In the Sephardi and Mizrahi tradition, the celebration of the miracle is not merely a domestic ritual but a communal symphony of Hallel. The Rambam emphasizes that the Hallel is a Rabbinic ordinance specifically rooted in the gratitude for salvation.

A beautiful, textured aspect of this tradition is the Piyut "Hanerot Hallalu," often recited or sung with a meditative, melodic cadence in synagogues across North Africa and the Middle East. Unlike the more standardized Ashkenazic melodies, many Sephardi communities utilize a Maqam (musical mode) that shifts throughout the holiday to reflect the deepening joy of the eight days. For example, some communities sing the Hallel in Maqam Sigah, which is known for its ability to evoke a sense of spiritual longing and subsequent triumph.

The practice of the Hazan (cantor) and the congregation alternating verses—where the congregation repeats the key lines of praise—is a direct reflection of the ancient custom the Rambam references. This "call and response" creates a visceral, acoustic experience of pirsumei nisa (publicizing the miracle). It isn't just that the light is seen in the street; the sound of the community’s collective voice becomes an auditory light, bouncing off the walls of the synagogue and out into the neighborhood. In Yemenite tradition, which often follows the Rambam’s rulings with singular fidelity, the recitation of Hallel is treated with a profound, rhythmic precision that serves to remind every participant that they are not just reading text—they are reliving the moment the Hasmoneans entered the Sanctuary and found that single, holy cruse of oil.

Contrast

There is a profound, respectful difference between the Sephardi/Mizrahi custom of lighting and the Ashkenazic minhag regarding the Mehadrin min HaMehadrin.

According to the Rambam (and subsequently the Shulchan Aruch), the standard of Mehadrin min HaMehadrin—the most beautiful way to perform the mitzvah—is for the head of the household to light for everyone, adding an extra candle for each member of the family on each night. In contrast, the common Ashkenazic minhag (following the Rama) is for each individual member of the family to light their own separate Chanukiah.

Neither approach is "more" correct; they represent two different ways of defining the "household." The Sephardi model treats the family as a singular unit of light, emanating from the head of the house, emphasizing unity. The Ashkenazic model treats each person as an individual light-bearer, emphasizing personal responsibility. Both practices are equally valid expressions of pirsumei nisa, designed to ensure that the flame of the miracle is never extinguished in the hearts of the next generation.

Home Practice

To adopt a piece of this heritage, look at your placement of the Chanukiah. Following the Sephardi practice referenced in the Mishneh Torah, try to place your lamp on the left side of the doorway as you enter, with the Mezuzah on the right. This creates a "corridor of sanctity," where you are quite literally flanked by mitzvot as you walk into your home. Even if you live in an apartment where this isn't possible, placing the Chanukiah on a table near the entrance (rather than deep inside the home) honors the Rambam’s insistence that the light must be directed toward the "public domain" to truly fulfill the mandate of publicizing the miracle to the world.

Takeaway

The Rambam’s laws on Chanukah remind us that the struggle against the Greeks was not just a battle for territory, but a battle for the sanctity of the Jewish intellect and spirit. The oil didn't just burn; it "transcended the limits of nature" because of the people's dedication. When you light your candles, remember that you are participating in a tradition of "peace" (as the Rambam concludes)—a peace that comes when we acknowledge that our light is not ours alone, but a reflection of the Divine mercy that sustained our ancestors.