Tanakh Yomi · Sephardi & Mizrahi Heritage · Standard

I Samuel 10:24-12:21

StandardSephardi & Mizrahi HeritageNovember 23, 2025

Hook

Imagine a voice, ancient and resonant, weaving through the desert air, a scent of frankincense and myrrh, carrying the weight of history and the promise of divine election. This is not just a story; it's an experience, a tapestry woven with the threads of prophecy, tradition, and the vibrant pulse of a people seeking their path.

Context

Place: The Land of Israel, specifically the region of Benjamin and the plains of Gilgal.

The narrative unfolds in the very heartland of the nascent Israelite kingdom. Benjamin, a tribe known for its fierce warriors and distinct identity, becomes the backdrop for Saul's ascension. Gilgal, a significant ancient Israelite religious site, serves as the stage for the formal inauguration of the monarchy, a place where covenant and kingship are consecrated. This geographical grounding is crucial, reminding us that these events are not abstract theological discussions but deeply rooted in the soil and aspirations of a specific people in a specific time. The echoes of this land, its hills and valleys, its sacred groves, are felt throughout the text, grounding the divine pronouncements in tangible reality. The significance of these locations—the tomb of Rachel, a matriarchal figure; the terebinth of Tabor, a place of divine encounter; the Hill of God, a center of prophetic activity; and Gilgal, a place of covenant renewal—all contribute to the rich, layered meaning of this pivotal moment in Israelite history.

Era: The transition from the period of Judges to the Monarchy (circa 11th-10th Century BCE).

This passage marks a profound turning point in Israelite history. It’s the moment the people, yearning for stability and a visible leader, transition from the decentralized, often tumultuous era of the Judges to the establishment of a centralized monarchy. This shift is not without its complexities and anxieties, as Samuel, the last of the Judges and a prophet, grapples with the people's desire for a king, a desire that God himself sees as a rejection of His direct rule. This era is characterized by external threats, as seen with Nahash the Ammonite, and internal struggles for identity and governance. The establishment of the monarchy is a bold step, fraught with both potential and peril, as the text clearly illustrates through the tension between the people's desires and Samuel's prophetic warnings. The very act of anointing a king, a practice common among surrounding nations, signifies a move towards greater political integration and a mirroring of their neighbors, a development that carries both strategic advantages and spiritual risks.

Community: The united tribes of Israel, with an emphasis on the people of Benjamin and the prophetic circles.

While the text speaks of "all Israel," it highlights specific communities and their roles. The people of Benjamin, Saul's tribe, are central to his selection and initial acceptance. The prophets, described as a dynamic, ecstatic group, play a crucial role in both foretelling Saul's destiny and experiencing his transformation. The elders of Jabesh-gilead, and later the broader populace, represent the collective will and anxieties of the nation. This passage showcases a diverse community, with varying degrees of faith, understanding, and willingness to embrace the new order. The interactions between Samuel, Saul, and the people reveal the multifaceted nature of this community – their hopes, fears, and their deep-seated connection to God and His covenant. The "scoundrels" who scorn Saul are a reminder that even in moments of national unity, dissenting voices and skepticism exist, adding a layer of realism to the narrative.

Text Snapshot

Samuel took a flask of oil and poured some on Saul’s head and kissed him, and said, “God herewith anoints you ruler over this people—God’s own. When you leave me today, you will meet two men near the tomb of Rachel in the territory of Benjamin, at Zelzah, and they will tell you that the donkeys you set out to look for have been found, and that your father has stopped being concerned about the donkeys and is worrying about you, saying: ‘What shall I do about my son?’ You shall pass on from there until you come to the terebinth of Tabor. There you will be met by three men making a pilgrimage to God at Bethel. One will be carrying three kids, another will be carrying three loaves of bread, and the third will be carrying a jar of wine. They will greet you and offer you two loaves of bread, which you shall accept. After that, you are to go on to the Hill of God, where the Philistine prefects reside. There, as you enter the town, you will encounter a band of prophets coming down from the shrine, preceded by lyres, hand-drums, flutes, and harps, and they will be speaking in ecstasy. The spirit of God will grip you, and you will speak in ecstasy along with them; you will become a different person. And once these signs have happened to you, act when the occasion arises, for God is with you.

Minhag/Melody

The passage vividly describes Saul's encounter with a band of prophets at the "Hill of God." They are descending from the shrine, accompanied by a symphony of musical instruments – lyres, hand-drums, flutes, and harps – and are "speaking in ecstasy." This ecstatic prophecy, a state of heightened spiritual awareness and divine inspiration, is a powerful image. It’s here that the spirit of God grips Saul, transforming him and leading him to speak in ecstasy alongside them. This moment resonates deeply within Sephardi and Mizrahi traditions, where piyyut (liturgical poetry) and niggun (melodies) are not merely decorative but integral to spiritual expression and communal experience.

Consider the concept of kavanah – intention and devotion – which is paramount in these traditions. The piyyutim themselves are often imbued with a profound sense of yearning, praise, and spiritual longing, mirroring the ecstatic state described in Samuel. The melodies, passed down through generations, are not simply tunes but carriers of tradition, emotion, and collective memory. They can evoke a sense of awe, a feeling of connection to the divine, and a shared spiritual journey.

In many Sephardi and Mizrahi communities, particularly during High Holidays and other significant occasions, the chazzan (cantor) might lead the congregation in piyyutim that are sung with intense fervor, sometimes in a style that could be described as ecstatic. The improvisational elements within certain niggunim, where singers might spontaneously elaborate on a melody or introduce new vocalizations, can also be seen as echoes of this ancient prophetic experience. The very act of chanting prayers or piyyutim in unison, with a shared melody, can create a powerful communal spiritual energy, a collective outpouring of the soul that transcends individual consciousness.

Think of the zemirot (songs) sung around the Shabbat table, or the selichot (penitential prayers) recited before Rosh Hashanah. While not always overtly "ecstatic" in the sense of Samuel's encounter, these musical and poetic expressions are designed to elevate the spirit, to connect the worshiper to a deeper reality, and to foster a sense of awe and reverence. The specific melodic modes, often drawing from Arabic or Persian musical traditions, add a unique texture and depth to these expressions, imbuing them with a distinct cultural and spiritual flavor.

The instruments mentioned – lyres, hand-drums, flutes, and harps – evoke a rich musical landscape. While the specific instruments and their use have evolved over centuries, the principle of music as a vehicle for spiritual experience remains a cornerstone. In some Mizrahi communities, for instance, the use of instruments like the oud or the qanun in religious contexts, while not universal, can create a profoundly moving and evocative atmosphere, drawing parallels to the ancient sounds that accompanied prophetic utterances. The piyyut tradition itself is a testament to the enduring power of poetry and music to articulate the ineffable, to bridge the gap between the human and the divine, and to foster a profound sense of spiritual connection. The communal singing of piyyutim, with their intricate poetic structures and often complex melodies, can indeed induce a state of elevated consciousness, a shared spiritual journey that mirrors the transformative experience of Saul among the prophets. This is not about a literal repetition of ancient practices, but an understanding of the underlying principle: that music and poetry are potent tools for spiritual ascent and communal spiritual expression.

Contrast

The narrative of Saul's anointing and his subsequent encounter with the prophets presents a striking contrast with the more structured, legalistic approach to spiritual leadership often found in other traditions. While the text acknowledges the people's desire for a king who can lead them in battle and provide earthly security, it also highlights Samuel's deep concern that this king should embody divine righteousness and uphold the covenant. This is evident in Samuel's powerful sermon at Gilgal (I Samuel 12:1-25), where he recounts God's historical kindnesses and warns against disobedience.

In some other traditions, the focus might be more on adherence to a strict set of laws and rituals as the primary means of maintaining a connection with the divine and ensuring communal well-being. While halakha (Jewish law) is fundamental to all Jewish observance, Sephardi and Mizrahi traditions often weave it into a richer tapestry of spiritual expression that includes a strong emphasis on kavanah (intention), emunah (faith), and ahavah (love) for God and fellow human beings.

For example, consider the emphasis on teshuvah (repentance) in the Ashkenazi Yom Kippur liturgy, which often involves detailed lists of sins and a structured approach to seeking forgiveness. While teshuvah is equally vital in Sephardi and Mizrahi Judaism, the piyyutim and niggunim associated with it might express the penitential sentiment through more lyrical and emotionally charged avenues. The focus might be less on itemizing transgressions and more on articulating the depth of one's regret, the yearning for divine closeness, and the hope for renewal. The melodies themselves can carry the weight of sorrow and contrition, while also offering a sense of solace and redemption.

Furthermore, the role of the tzaddik (righteous individual) in some Hasidic traditions, while revered, can sometimes be seen as a more direct conduit to God, with followers often seeking blessings and guidance through intermediaries. In contrast, while Sephardi and Mizrahi communities deeply respect their rabbis and spiritual leaders, there's often a strong emphasis on individual spiritual responsibility and direct communion with God. The piyyutim themselves often serve as a direct address to God, a personal outpouring of devotion and supplication. The historical figures like the gaonim and rishonim in Sephardi tradition, or the revered sages of Yemen or Morocco, are admired for their scholarship and piety, but their teachings often encourage the individual to cultivate their own relationship with the Divine through prayer, Torah study, and acts of chesed (loving-kindness).

This is not to suggest superiority of one approach over another, but rather to highlight the diverse ways in which Jewish spirituality has manifested across different communities. The Sephardi and Mizrahi emphasis, as seen in the story of Saul's prophetic encounter and Samuel's admonitions, is on a holistic approach to faith – one that integrates law, emotion, intellect, and communal action, all guided by a profound and often poetic connection to the Divine. The richness of their piyyut and niggun traditions is a testament to this vibrant and multifaceted spiritual heritage. The text itself, in Samuel’s eloquent recounting of God’s history with Israel, underscores this idea of a reciprocal relationship, where faithfulness is met with divine favor, and disobedience leads to hardship. This nuanced understanding of covenant and responsibility is a hallmark of the tradition.

Home Practice

This week, let's bring a touch of this ancient prophetic energy into our homes through the practice of niggun. A niggun is a wordless melody, a musical expression of spiritual feeling or contemplation. In Sephardi and Mizrahi traditions, niggunim are not just beautiful tunes; they are a way to connect with emotions and intentions that words might fail to capture.

Your Home Practice:

  1. Find a Quiet Moment: Set aside 5-10 minutes when you can be undisturbed. This could be before Shabbat candles, after morning prayers, or simply during a quiet moment in your day.
  2. Listen to a Sephardi/Mizrahi Niggun: Search online for "Sephardi niggun" or "Mizrahi niggun." You'll find beautiful examples from various communities – Yemen, Morocco, Iraq, Persia, etc. Some are joyful, some contemplative, some deeply soulful. Let the melody wash over you.
  3. Hum or Sing Along (Wordlessly): Don't worry about knowing the words or even if there are words. The essence of a niggun is its wordless expression. Try to hum or sing along with the melody, letting the sounds express your feelings – your gratitude, your hopes, your sense of peace, or even your moments of longing.
  4. Focus on the Feeling: As you sing, pay attention to the emotions the melody evokes. Allow yourself to be present with those feelings. This is about connecting with yourself and with the spiritual resonance of the music.
  5. End with a Moment of Silence: After the melody ends, sit in silence for a minute, allowing the feeling of the niggun to settle within you.

This practice offers a direct, personal pathway to the kind of spiritual engagement described in our text. It bypasses the intellectual and taps directly into the emotional and spiritual heart, just as the prophets' music and ecstatic speech did for Saul. It’s a simple yet profound way to integrate the rich heritage of Sephardi and Mizrahi spiritual expression into your daily life.

Takeaway

The story of Saul's anointing and the prophetic encounter is a powerful reminder that leadership, spirituality, and national destiny are deeply intertwined. It showcases a tradition that values divine election, prophetic inspiration, and communal discernment, all expressed through a vibrant tapestry of prayer, poetry, and music. From the ancient plains of Israel to the intimate practice of a wordless melody in your home, the Sephardi and Mizrahi heritage offers a rich and enduring path to connect with the Divine and with our deepest selves. It's a heritage that celebrates the textured, nuanced journey of faith, where tradition and personal experience dance together in perpetual harmony.